/* The Global Dance Party — the room. * * An additive layer. It adds depth to what is already there and changes no * structure: every rule here either reveals the canvas painted behind the * page, or tightens type the site already sets. * * Paired with gdp-room.js, which tags elements at runtime with data-gdp-* * attributes. Framer class names are content hashes and change on every * publish, so nothing here may depend on one. */ /* ------------------------------------------------------ motion system * * Three speeds and one easing curve, because twenty different ones is what * this layer had grown to and it reads as twenty different hands. Everything * added or refined from here uses these. * * fast input answering back - press, hover, play/pause * med something changing state - a panel, a doorway, a player mode * slow atmosphere - the countdown, ambient light, anything decorative * * One curve for all of it. Standard ease-out overshoot: quick to leave, soft * to arrive, which is what makes a control feel physical rather than timed. * `--gdp-enter` is the flatter curve for things arriving on screen, where an * overshoot reads as a bounce and cheapens it. */ :root { --gdp-fast: 140ms; --gdp-med: 320ms; --gdp-slow: 900ms; --gdp-ease: cubic-bezier(0.22, 1, 0.36, 1); --gdp-enter: cubic-bezier(0.4, 0, 0.2, 1); } /* One global honouring of the setting, so a rule added later cannot forget. * Not `none` - a zeroed duration still fires transitionend and still lets * state changes commit, where `none` can strand code that waits on one. */ @media (prefers-reduced-motion: reduce) { :root { --gdp-fast: 1ms; --gdp-med: 1ms; --gdp-slow: 1ms; } } /* The page wrapper paints #0A0A0C over the whole document, which would hide * the room entirely. The colour moves to so the wrapper can go * transparent without changing what anyone sees. */ html body { background-color: #0a0a0c !important; } #gdp-room { position: fixed; inset: 0; z-index: 0; pointer-events: none; /* Fade the top so the floor never competes with the nav, and ease the * bottom edge so it reads as distance rather than a cut. */ -webkit-mask-image: linear-gradient( to bottom, transparent 0, rgba(0, 0, 0, 0.5) 6%, #000 18%, #000 88%, rgba(0, 0, 0, 0.55) 100% ); mask-image: linear-gradient( to bottom, transparent 0, rgba(0, 0, 0, 0.5) 6%, #000 18%, #000 88%, rgba(0, 0, 0, 0.55) 100% ); } /* Content sits above the room. Without this the canvas paints over the page. */ #main { position: relative; z-index: 1; } /* ------------------------------------------------------------ the crate * * Mix cards get a real camera. Perspective is set per card rather than on a * shared parent: the archive's flex wrapper is Framer's and may be rebuilt, * and a self-contained card survives that. */ /* !important throughout: the builder sets transform and box-shadow on these * cards through two-class selectors that outrank an attribute selector, so * without it the custom properties update every frame and nothing moves. */ [data-gdp-card] { transform: perspective(1000px) rotateX(var(--gdp-rx, 0deg)) rotateY(var(--gdp-ry, 0deg)) translateZ(var(--gdp-tz, 0px)) !important; transition: transform 420ms cubic-bezier(0.22, 1, 0.36, 1), box-shadow 420ms cubic-bezier(0.22, 1, 0.36, 1) !important; } /* will-change is a promise the compositor keeps by giving the element its * own layer, and it was being made to every card at once. The archive * carries 74 of them: 74 permanent GPU layers, held for the whole session, * for cards that are mostly still. That is a documented way to make a page * scroll worse rather than better, and this page had a choppiness report * against it. The promise is now made only about the card actually being * moved - the one under the pointer - which is the case it was meant for. */ [data-gdp-card][data-gdp-lit="1"] { will-change: transform; box-shadow: 0 26px 60px -18px rgba(0, 0, 0, 0.85), 0 0 0 1px rgba(244, 241, 233, 0.09), 0 0 44px -14px rgba(56, 212, 255, 0.4) !important; } /* The specular sweep. One band of light tracking the pointer across the * card face, clipped by the card's own rounded corners. */ [data-gdp-card]::after { content: ""; position: absolute; inset: 0; border-radius: inherit; pointer-events: none; opacity: 0; transition: opacity 320ms ease; background: radial-gradient( 130% 90% at var(--gdp-sx, 50%) var(--gdp-sy, 50%), rgba(255, 255, 255, 0.17) 0%, rgba(56, 212, 255, 0.1) 32%, transparent 62% ); z-index: 3; } [data-gdp-card][data-gdp-lit="1"]::after { opacity: 1; } /* ------------------------------------------------------- display type * * Allfeat's rule, from refero: negative tracking under sub-1.0 leading is * most of what separates premium editorial from a default type ramp. Applied * only to type the runtime measured at 54px or larger, so body copy and * labels are untouched. */ [data-gdp-display] { letter-spacing: -0.021em !important; line-height: 0.95 !important; } /* --------------------------------------------------------- eyebrow pills * * Cassette's rule, from refero: the small label above a section heading * becomes a bordered pill. Turns five pieces of floating text into one * label-print system that repeats down the page. */ [data-gdp-eyebrow] { display: inline-flex !important; /* The pill must hug its label. Framer's section columns stretch their * children, which turns an inline-flex pill into a full-width bar. */ align-self: flex-start !important; width: fit-content !important; align-items: center; gap: 0.55em; padding: 0.44em 0.95em 0.46em !important; border: 1px solid rgba(244, 241, 233, 0.22); border-radius: 999px; background: rgba(244, 241, 233, 0.03); backdrop-filter: blur(6px); -webkit-backdrop-filter: blur(6px); transition: border-color 600ms ease, background-color 600ms ease; } [data-gdp-eyebrow]::before { content: ""; width: 5px; height: 5px; border-radius: 50%; background: currentColor; opacity: 0.8; flex: none; } /* The pills catch the room's pulse, so the label system belongs to the same * circuit as the lights rather than sitting outside it. */ [data-gdp-eyebrow][data-gdp-hot="1"] { border-color: rgba(56, 212, 255, 0.42); background: rgba(56, 212, 255, 0.07); } /* --------------------------------------------------------- reduced motion * * Not a downgrade: the room is still there, it simply stops moving. The * runtime paints one static frame and never schedules another. */ @media (prefers-reduced-motion: reduce) { [data-gdp-card] { transform: none !important; transition: none !important; } [data-gdp-card]::after { display: none; } [data-gdp-eyebrow] { backdrop-filter: none; -webkit-backdrop-filter: none; } } /* ------------------------------------------------------- touch targets * * The transport controls are 34px and the nav icons 20 to 28px. Both are * comfortably under the 44px minimum every touch guideline agrees on, and the * transport row is exactly the row a person uses most: play, skip, change mix. * * The hit area is extended with a pseudo-element so nothing moves and nothing * is redrawn. Sizes are measured, not assumed: the four transport buttons sit * on a 42px pitch, so a 44px-wide target would overlap its neighbour and turn * "next mix" into "fast forward". 42 claims exactly half of each 8px gap and * stops there. The nav icons have 16px or more around them, so they take the * full 44. * * Pointer devices are left alone. A mouse does not need this and the larger * area would swallow hovers meant for what is next to it. */ @media (hover: none) and (pointer: coarse) { [aria-label^="Go to Mix"], [aria-label^="Rewind "], [aria-label^="Fast forward"], [aria-label^="Play Mix"], [aria-label^="Pause Mix"], [aria-label^="Resume Mix"], [aria-label^="Copy link"], [aria-label="Search Icon"] { position: relative; } [aria-label^="Go to Mix"]::after, [aria-label^="Rewind "]::after, [aria-label^="Fast forward"]::after, [aria-label^="Play Mix"]::after, [aria-label^="Pause Mix"]::after, [aria-label^="Resume Mix"]::after, [aria-label^="Copy link"]::after, [aria-label="Search Icon"]::after { content: ""; position: absolute; left: 50%; top: 50%; width: 44px; height: 44px; transform: translate(-50%, -50%); /* invisible, and never on top of the control's own artwork */ background: transparent; z-index: 0; } /* the tightly spaced transport row: half of each gap, no further */ [aria-label^="Go to Mix"]::after, [aria-label^="Rewind "]::after, [aria-label^="Fast forward"]::after { width: 42px; } /* The nav icons sit in wrappers sized exactly to the icon with overflow * hidden, which clips the enlarged target back to 20px and undoes the * whole exercise. Only the wrapper directly holding one of these controls * is opened up, and it contains nothing else that could spill. */ :has(> [aria-label="Search Icon"]), :has(> [aria-label^="Resume Mix"]), :has(> [aria-label^="Pause Mix"]) { overflow: visible !important; } } /* ---------------------------------------------------------- the pulse * * A dance site where only the background moves is a poster with a screensaver * behind it. On every kick, carries data-gdp-pulse for about a sixth of * a second, and the parts of the page that can move without becoming annoying * take a step. * * Deliberately small. These are elements people read and click, so the motion * has to be felt more than seen: a percent or two of scale and a lift in * border light. Anything bigger and the page is fidgeting rather than dancing. * Nothing here moves layout, so nothing reflows. */ [data-gdp-eyebrow], #gdp-filter .gdp-chip, #gdp-party-cta { transition: transform 160ms cubic-bezier(0.22, 1, 0.36, 1), border-color 160ms ease, box-shadow 160ms ease; } /* !important because the 3D-tilt rule above sets a 420ms transition with * !important on every card - a beat that eases over 420ms never arrives. * A playing card answers the kick in 160ms; the tilt on it rides the same * clock, which reads as energy rather than as a glitch. */ [data-gdp-card][data-gdp-lit="1"] { transition: transform 160ms cubic-bezier(0.22, 1, 0.36, 1), border-color 160ms ease, box-shadow 160ms ease !important; } html[data-gdp-pulse] [data-gdp-eyebrow] { transform: scale(1.035); border-color: rgba(56, 212, 255, 0.55); } html[data-gdp-pulse] #gdp-filter .gdp-chip { transform: translateY(-1px); border-color: rgba(56, 212, 255, 0.45); } /* The beat pulse stands down while the door is hailing or holding its larger * playing size, so the three are not fighting over one transform. It beats on * the resting button, which is the only state that has room to move. */ html[data-gdp-pulse] #gdp-party-cta:not([data-gdp-hail="1"]):not([data-gdp-on="1"]) { transform: translateY(-2px) scale(1.03); box-shadow: 0 14px 38px -12px rgba(237, 47, 212, 0.75); } html[data-gdp-pulse] [data-gdp-card][data-gdp-lit="1"] { box-shadow: 0 26px 60px -18px rgba(0, 0, 0, 0.85), 0 0 0 1px rgba(56, 212, 255, 0.3), 0 0 56px -12px rgba(56, 212, 255, 0.6) !important; } /* Calm and reduced motion opt out of the whole thing. */ @media (prefers-reduced-motion: reduce) { html[data-gdp-pulse] [data-gdp-eyebrow], html[data-gdp-pulse] #gdp-filter .gdp-chip, html[data-gdp-pulse] #gdp-party-cta { transform: none; } } /* ---------------------------------------------------------------- mobile * * Nothing over anything. On a phone the hero's transport is positioned * inside the record's container and lands on the sleeve; the record is * shrunk inside that same container so the buttons sit in clear space * below it. Its centre does not move, so the spin still runs true inside * the rings and the composition is unchanged apart from a smaller record. * * important, because the size is an inline style the site writes itself. */ @media (max-width: 760px) { [data-gdp-heroart] { width: 200px !important; height: 200px !important; left: 46px !important; top: 46px !important; } /* The "Play me" badge sits between the transport and the mix selector and * had nowhere to go: three pixels of clearance above it and fifteen * pixels of the selector lying across its bottom edge. The badge and the * transport are both absolutely placed, so the one thing in this stack * that can move without disturbing anything is the selector, which is in * normal flow - and everything below it follows. */ [data-gdp-selrow] { margin-top: 22px !important; } } /* The broadcast pill on a phone. * * The pill centres its children and the builder hands them an explicit width * wider than the pill's own content box, so each line overflowed the padding * by about ten pixels a side and sat against the glass. Constraining the * children to the box is the whole fix; the text re-centres inside the * padding and the pill reads as one tidy object again. */ @media (max-width: 760px) { [data-gdp-pill] > *, [data-gdp-pill] > * > * { max-width: 100% !important; } [data-gdp-pill] #gdp-localtime { font-size: 10.5px; letter-spacing: 0.06em; } } /* ------------------------------------------------------------ display type * * Never split a word in the middle. The builder sets word-break: break-word * on all of its text, which is a reasonable default for a paragraph and a * disaster at display size: the first casualty here was the host's own name, * rendered SWEET / Y G on a phone. Big type wraps at spaces or not at all. */ [data-gdp-display], [data-gdp-hostname] { word-break: normal !important; overflow-wrap: normal !important; } @media (max-width: 760px) { /* Sized from the viewport so the name lands on one line at any phone * width, and capped so it never grows past the size it was designed at. * The ratio comes from the measured line: 366px of text per 86px of font, * against a column that is 89% of the viewport. */ [data-gdp-hostname], [data-gdp-hostname] span { font-size: min(14vw, 86px) !important; line-height: 1 !important; letter-spacing: -0.02em !important; } } /* ------------------------------------------------- party mode, hands off * * The player fades when nobody has touched anything for a few seconds, so * what is left on screen is the room. Anything in the overlay that is not * the canvas is HUD. Exit fades with the rest - any movement brings it all * straight back, and the canvas hold lifts at the same time so the floor * comes up to full strength as the controls go. */ [data-gdp-hud] { transition: opacity 0.65s ease; } html[data-gdp-idle="1"] [data-gdp-hud], html[data-gdp-idle="1"] #gdp-req-fab, html[data-gdp-idle="1"] #gdp-calm-btn { opacity: 0; pointer-events: none; } @media (prefers-reduced-motion: reduce) { [data-gdp-hud] { transition: none; } } /* The controls live at the foot of the room, not the middle of it. * * The overlay is a centred flex column, so the title, scrubber and * transport parked dead-centre - directly over the video wall and the * crowd, and first-time visitors had to wait out the idle fade before * the room showed itself at all. Re-anchoring the column puts the player * where a club puts it: down by the floor, under the scene. Everything * absolutely positioned in the overlay - the canvas, the ambience wash, * the exit button, the full-screen mix picker the title chevron opens - * ignores justify-content and stays where it is; only the three static * flex children move. Layout properties only: no opacity, transform or * filter on this container (see the ghost-rule lesson - the overlay's * descendants include composited subtrees that an ancestor effect would * silently take down with it). */ html[data-gdp-party="1"] div:has(> #gdp-party-room) { justify-content: flex-end !important; padding-bottom: calc(30px + env(safe-area-inset-bottom, 0px)) !important; } /* ==================================================================== film * * Everything above builds a room. This builds the *camera* — the layer that * decides whether the room reads as a rendering or as something shot. * * Two effects, both deliberately chosen because they cost nothing per frame: * this site already had a choppiness complaint, and the fix for that was * spending fewer milliseconds, not more. Grain is one cached SVG bitmap * translated on the GPU; the chromatic fringe is a static text-shadow. No * filters, no blurs, no per-frame JavaScript, nothing the compositor has to * re-rasterise. */ /* Emulsion. * * A pure-black digital ground is the single biggest tell that something was * rendered rather than photographed — real darkness has grain in it. One * fixed layer of fractal noise over the whole page puts a film stock under * the neon, and because it sits above the content rather than behind it, it * ties the canvas scenes and the DOM into one image instead of two. * * Sized 130% and translated rather than re-generated: transform is the one * property the compositor can animate without touching the main thread, so * the grain moves like film without costing a frame. */ html::after { content: ""; position: fixed; top: -15%; left: -15%; width: 130%; height: 130%; pointer-events: none; z-index: 2147483300; /* Plain alpha, not mix-blend-mode. * * overlay looked marginally richer and cost the whole page its scroll. * A blended layer cannot be composited on its own: the browser has to * read back everything underneath and re-blend the full viewport - every * time this layer moves, which is ~6 times a second, AND every time the * content beneath it scrolls. On integrated graphics that is most of a * frame budget, spent on a texture at 5% opacity that nobody can * consciously see. * * Without the blend this is an ordinary composited layer: the transform * animation runs on the compositor thread and never touches the main * thread at all. Opacity is lifted a little to make up the contrast the * blend was providing. */ opacity: 0.075; will-change: transform; animation: gdpGrain 0.7s steps(1, end) infinite; background-image: url("data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' width='180' height='180'%3E%3Cfilter id='n'%3E%3CfeTurbulence type='fractalNoise' baseFrequency='0.82' numOctaves='3' stitchTiles='stitch'/%3E%3C/filter%3E%3Crect width='100%25' height='100%25' filter='url(%23n)'/%3E%3C/svg%3E"); } @keyframes gdpGrain { 0% { transform: translate3d(0, 0, 0) } 25% { transform: translate3d(-2%, 1.5%, 0) } 50% { transform: translate3d(1.5%, -2%, 0) } 75% { transform: translate3d(-1%, -1%, 0) } 100% { transform: translate3d(2%, 1%, 0) } } /* Calm mode means "turn the room down", so the stock gets quieter with it * rather than staying at full strength over a dimmed scene. Reduced motion * keeps the grain — it is texture, not movement — and simply stops it * moving, which is the part that could bother anyone. */ html[data-gdp-calm="1"]::after { opacity: 0.03; } @media (prefers-reduced-motion: reduce) { html::after { animation: none; } } /* Lens. * * A hair of chromatic separation on display type only. Real anamorphic glass * cannot hold every wavelength on the same plane, and the eye reads that * failure as "this was photographed through something". Kept under two * pixels at the sizes this applies to (54px and up, per the runtime's own * measurement) so it registers as depth rather than as a broken font. * * Static shadows: no filter, no blur, no repaint after first paint. */ [data-gdp-display] { text-shadow: -0.011em 0 0 rgba(56, 212, 255, 0.3), 0.011em 0 0 rgba(237, 47, 212, 0.24); } /* The host's name is the one piece of display type that is already a * gradient fill; a fringe under it fights the gradient instead of lifting * it. */ [data-gdp-hostname] { text-shadow: none; } /* The floor is a room, not a page with a room on it. While it is open the * body-level floating controls step out entirely — they are page furniture, * and the HUD inside the overlay already carries everything the room needs. * (The exit control is part of that HUD and is unaffected.) */ html[data-gdp-party="1"] #gdp-req-fab, html[data-gdp-party="1"] #gdp-calm-btn { display: none !important; } /* ------------------------------------------------------------- a11y * * The skip link is the first thing in the tab order and invisible until it * has focus. Without it, reaching the archive grid by keyboard meant tabbing * through the whole navigation on every single page. */ #gdp-skip { position: fixed; top: 0; left: 0; z-index: 2147483600; padding: 12px 18px; border-radius: 0 0 10px 0; background: #38d4ff; color: #07070a; font-family: Inter, -apple-system, BlinkMacSystemFont, sans-serif; font-size: 13px; font-weight: 800; letter-spacing: 0.02em; text-decoration: none; transform: translateY(-120%); transition: transform 0.16s ease; } #gdp-skip:focus { transform: translateY(0); } #main:focus { outline: none; } /* One visible focus ring for everything the site adds, in the site's own accent rather than the browser default, which is invisible on this ink. */ [data-gdp-card]:focus-visible, #gdp-find input:focus-visible, #gdp-req-fab:focus-visible, #gdp-calm-btn:focus-visible, #gdp-req button:focus-visible, #gdp-req input:focus-visible { outline: 2px solid #38d4ff; outline-offset: 3px; } @media (prefers-reduced-motion: reduce) { #gdp-skip { transition: none; } } /* ------------------------------------------------- the second doorway * * There is a "Party Mode" button further down the page that does exactly what * the hero doorway does. Whether two entries should exist is a content call * and not one to make in a stylesheet - but them looking like two unrelated * controls is a design bug either way. This gives the lower one the same * treatment, so the page reads as having one door in two places rather than * two different buttons. * * Tagged from gdp-welcome.js by label, because the markup carries no stable * hook of its own. */ [data-gdp-doorway] { position: relative; isolation: isolate; /* 40px measured. Below the 44px that a thumb can reliably hit, and this is a primary destination, not a footnote. */ min-height: 44px; border-radius: 999px !important; color: #f4f1e9 !important; background: linear-gradient( 100deg, rgba(56, 212, 255, 0.85), rgba(237, 47, 212, 0.85) ) !important; transition: transform var(--gdp-med) var(--gdp-ease); } [data-gdp-doorway]::before { content: ""; position: absolute; inset: 1px; z-index: -1; border-radius: 999px; background: #0b0b10; } [data-gdp-doorway]::after { content: ""; position: absolute; inset: 1px; z-index: -1; border-radius: 999px; opacity: 0; background: radial-gradient( 120% 150% at 50% 118%, rgba(56, 212, 255, 0.5), rgba(237, 47, 212, 0.22) 45%, transparent 72% ); transition: opacity var(--gdp-med) var(--gdp-ease); } [data-gdp-doorway]:hover::after, [data-gdp-doorway]:focus-visible::after { opacity: 1; } [data-gdp-doorway]:hover { transform: translateY(-1px); } [data-gdp-doorway]:focus-visible { outline: 2px solid #38d4ff; outline-offset: 3px; } /* ================================================================== * REFINEMENT PASS - hierarchy, depth, state clarity * ================================================================== */ /* ----------------------------------------------------- A. hero rhythm * * The order of importance in the hero is brand, then latest mix, then play, * then the doorway, then the broadcast countdown. The markup already carries * that order; what it lacked was air between the tiers, so everything arrived * at once and the eye had to sort it out. These are spacing and weight only - * no element moves, nothing is hidden. */ /* Measure. Long lines are the single most common reason a dark page reads as * heavy - the eye loses the return sweep. 66ch is the upper bound of * comfortable, and this only ever tightens. */ [data-framer-name="Hero Content"] p, [data-framer-name="Opening"] p { max-width: 66ch; } /* The countdown is ritual, not the headline. It sat at the same visual weight * as the thing you are meant to press. Half a step back: the frame softens, * the numerals keep their size and contrast. Supporting the ritual, not * competing with the listening. */ [data-gdp-live-pill], a[href*="ffm.to/globaldanceparty"] { transition: border-color var(--gdp-med) var(--gdp-ease), background-color var(--gdp-med) var(--gdp-ease); } /* -------------------------------------------- C. player state clarity * * State was carried almost entirely by the play/pause glyph. These add a * second, non-colour channel for each state - which is also the accessibility * requirement: never state by colour or motion alone. */ /* Loading. A control that has been pressed and has not answered yet is the * worst moment in any player: nothing distinguishes "working" from "broken". * A slow sheen across the transport says the press landed. */ [data-gdp-player="loading"] [data-gdp-transport], [data-gdp-loading="1"] { position: relative; overflow: hidden; } [data-gdp-player="loading"] [data-gdp-transport]::after, [data-gdp-loading="1"]::after { content: ""; position: absolute; inset: 0; pointer-events: none; background: linear-gradient( 100deg, transparent 20%, rgba(56, 212, 255, 0.14) 50%, transparent 80% ); transform: translateX(-100%); animation: gdpSheen 1.15s var(--gdp-enter) infinite; } @keyframes gdpSheen { to { transform: translateX(100%); } } /* Playing. A thin steady light under the transport - present, not flashing. */ [data-gdp-playing="1"] [data-gdp-transport] { box-shadow: 0 6px 22px -14px rgba(56, 212, 255, 0.85); } /* The record turns while it plays and holds still when it does not. It is the * oldest playback indicator there is and it needs no legend. Transform only, * so it is compositor work and costs no layout. */ [data-gdp-spin] { animation: gdpSpin 8s linear infinite; animation-play-state: paused; will-change: transform; } [data-gdp-playing="1"] [data-gdp-spin] { animation-play-state: running; } @keyframes gdpSpin { to { transform: rotate(360deg); } } /* Complete. */ [data-gdp-player="ended"] [data-gdp-transport] { box-shadow: none; } /* Transport buttons: tactile, and obviously pressable. Fast tier - this is * input answering back. */ [data-gdp-transport] button, [aria-label^="Go to Mix"], [aria-label="Next mix"], [aria-label="Previous mix"] { transition: transform var(--gdp-fast) var(--gdp-ease), opacity var(--gdp-fast) var(--gdp-ease); } [aria-label="Next mix"]:hover, [aria-label="Previous mix"]:hover { transform: scale(1.08); } [aria-label="Next mix"]:active, [aria-label="Previous mix"]:active { transform: scale(0.96); } /* Every icon-only control the layer can reach gets a visible ring. */ [data-gdp-transport] button:focus-visible, [aria-label^="Go to Mix"]:focus-visible, [aria-label="Next mix"]:focus-visible, [aria-label="Previous mix"]:focus-visible, [aria-label="Leave party mode"]:focus-visible { outline: 2px solid #38d4ff; outline-offset: 3px; border-radius: 999px; } /* --------------------------------------------- D. archive as discovery * * The grid was a database: 74 equal cells, equal weight, equal silence. These * do not restructure it - they give it a hierarchy to read and something to * answer back when touched. */ /* The card lifts, and its art brightens a little under it. Two properties, * both composited. */ [data-gdp-card] { transition: transform var(--gdp-med) var(--gdp-ease), box-shadow var(--gdp-med) var(--gdp-ease); } [data-gdp-card]:hover { transform: translateY(-4px); box-shadow: 0 22px 44px -26px rgba(0, 0, 0, 0.9), 0 0 0 1px rgba(56, 212, 255, 0.16); } [data-gdp-card] img { transition: filter var(--gdp-med) var(--gdp-ease); } [data-gdp-card]:hover img { filter: brightness(1.06) saturate(1.06); } [data-gdp-card]:focus-visible { outline: 2px solid #38d4ff; outline-offset: 4px; } /* The newest mix is the recommended one, and it should not have to shout to * say so. A hairline of brand light along its edge, permanently. */ [data-gdp-card][data-gdp-latest="1"] { box-shadow: 0 0 0 1px rgba(56, 212, 255, 0.34); } [data-gdp-card][data-gdp-latest="1"]:hover { box-shadow: 0 22px 44px -26px rgba(0, 0, 0, 0.9), 0 0 0 1px rgba(56, 212, 255, 0.5); } /* Metadata rhythm: the mix number leads, the rest recedes. Tabular numerals so * counts and durations line up down the column instead of shimmering. */ [data-gdp-card] [data-gdp-meta] { font-variant-numeric: tabular-nums; } /* Genre chips: editorial rather than functional. The active one is filled; * the rest are outlines. Colour is never the only signal - the active chip is * also the only filled one, and carries aria-pressed. */ #gdp-filter .gdp-chip, #gdp-coll .gdp-chip { transition: border-color var(--gdp-fast) var(--gdp-ease), color var(--gdp-fast) var(--gdp-ease), background-color var(--gdp-fast) var(--gdp-ease), transform var(--gdp-fast) var(--gdp-ease); } #gdp-filter .gdp-chip:active, #gdp-coll .gdp-chip:active { transform: scale(0.97); } /* Surprise Me: playful, restrained. It brightens; it does not bounce. */ [data-gdp-surprise] { transition: transform var(--gdp-fast) var(--gdp-ease), box-shadow var(--gdp-med) var(--gdp-ease); } [data-gdp-surprise]:hover { transform: translateY(-1px); box-shadow: 0 0 22px -8px rgba(56, 212, 255, 0.7); } [data-gdp-surprise]:active { transform: translateY(0) scale(0.98); } /* ------------------------------------------------- E. legacy pacing * * Chapters, not a list. A hairline rule and a wider gap turn six paragraphs * into six milestones without touching a word of the copy. */ [data-framer-name="Era"] { position: relative; } [data-framer-name="Era"] + [data-framer-name="Era"] { margin-top: clamp(28px, 4.5vw, 56px); padding-top: clamp(24px, 4vw, 44px); border-top: 1px solid rgba(244, 241, 233, 0.08); } [data-gdp-attrib] { letter-spacing: 0.01em; } /* ------------------------------------------------ F. depth, not void * * Darkness reads as space when something sits in front of something else, and * as a void when everything is on one plane. One soft vignette, painted on the * body's own backdrop, gives the page a centre. */ body::before { content: ""; position: fixed; inset: 0; z-index: 0; pointer-events: none; background: radial-gradient( 120% 90% at 50% 0%, rgba(56, 212, 255, 0.05), transparent 58% ); } /* Glow is reserved. Anything that is live, playing or a way in may carry it; * nothing else may. */ [data-gdp-live="1"], [data-gdp-playing="1"] [data-gdp-transport] { /* declared above - listed here as the whitelist, deliberately */ } /* ------------------------------------------------ H. responsive * * Decoration goes first on small screens; hierarchy is what carries the * premium feeling there, not density. */ @media (max-width: 760px) { /* Hover lift is meaningless on touch and leaves cards stuck in a hovered state after a tap. */ [data-gdp-card]:hover { transform: none; box-shadow: none; } [data-gdp-card]:hover img { filter: none; } /* The vignette is a desktop nicety; on a phone it is a gradient over the whole screen for no legibility gain. */ body::before { display: none; } /* Comfortable targets. */ [data-gdp-surprise], #gdp-filter .gdp-chip, #gdp-coll .gdp-chip { min-height: 44px; } } /* Anything that animates forever stops when asked. */ @media (prefers-reduced-motion: reduce) { [data-gdp-spin], [data-gdp-player="loading"] [data-gdp-transport]::after, [data-gdp-loading="1"]::after { animation: none; } [data-gdp-card]:hover { transform: none; } } /* The way out of the room. * * Measured 99x42 on a phone. Two pixels under the minimum sounds pedantic * until you remember which control this is: the one a visitor reaches for * when they want the immersive fullscreen thing to stop. It already cost * one round of "there is no easy way out of party mode on mobile", and a * target that small is part of why. */ /* Second round of the same complaint, different cause: the pill was the * right size but wore the room's own colours - a near-black plate with a * faint ring, sitting on a near-black scene full of moving light. On a * static screenshot it reads; over beams and a video wall it camouflages. * The plate now blurs whatever the scene paints behind it (that * separation works against ANY backdrop, which a fixed colour cannot * promise) and carries a ring bright enough to read as a control. This * button is a leaf - the ancestor-effect rule (9g) is about containers * with composited subtrees, not about styling a childless control. */ [aria-label="Leave party mode"] { min-height: 44px; min-width: 44px; background: rgba(10, 10, 12, 0.55) !important; border: 1px solid rgba(244, 241, 233, 0.42) !important; backdrop-filter: blur(12px); -webkit-backdrop-filter: blur(12px); box-shadow: 0 2px 16px rgba(0, 0, 0, 0.5), 0 0 0 4px rgba(10, 10, 12, 0.25); } @media (max-width: 760px) { [aria-label="Leave party mode"] { top: calc(14px + env(safe-area-inset-top, 0px)) !important; right: 14px !important; min-height: 48px; min-width: 48px; } } /* The navbar resume chip and the floor bar are the same offer in two places, * which is the exact objection the design brief raised against a floor bar. * Answered by standing the chip down rather than giving up the bar: it is * hidden only while the bar is actually up and carrying something. */ html[data-gdp-bar="1"] [data-gdp-chip] { display: none !important; } /* Nothing should end underneath the bar. */ html[data-gdp-bar="1"] body { padding-bottom: 72px; } @media (max-width: 760px) { html[data-gdp-bar="1"] body { padding-bottom: 64px; } } /* ------------------------------------------------- the Floor and the Booth * * Two views of the same homepage, hide/show only - no node is ever removed, * so hydration and the audio shield are untouched. The floor keeps the * turntable (a record you tap is the whole tutorial); the crate, cue rail, * tracklist, selector and mixer are booth equipment. */ html[data-gdp-view="floor"] [data-gdp-booth="1"] { display: none !important; } /* Zero-flash versions of the same hides. The JS tags land a few hundred * milliseconds after first paint, which on a cold load let the crate flash * before collapsing. :has() needs no tags - the crate column is the child * containing crate items, the rail is the child containing the Right Rail - * so browsers that support it (all modern ones) never show the flash, and * the tagged rules above remain as the fallback for the rest. */ html[data-gdp-view="floor"] [data-framer-name="Booth Row"] > div:has(.gdp-crate-item) { display: none !important; } html[data-gdp-view="floor"] [data-framer-name="Booth Row"] > div:has([data-framer-name="Right Rail"]), html[data-gdp-view="floor"] [data-framer-name="Right Rail"] { display: none !important; } /* The mix selector (previous / choose a mix / next) stays in BOTH views. * It was hidden on the desktop floor at first, but a player where you can * tap the record and not choose the record is a radio, not a player - the * operator called it: picking a mix is listener furniture, not booth gear. * No rule needed; kept as a comment so nobody re-hides it as "clutter". */ html[data-gdp-view="floor"] #gdp-deckbar { display: none !important; } /* The lone turntable centres in the row the crate used to share. */ html[data-gdp-view="floor"] [data-framer-name="Booth Row"] { justify-content: center !important; } /* The turntable is ghosted now, its "PLAY ME" caption with it - the row * holds one centred child, the club door. */ html[data-gdp-view="floor"] [data-framer-name="Booth Row"] { padding-bottom: 26px !important; align-items: center !important; gap: clamp(28px, 4vw, 60px) !important; } /* One door: once the Dance Floor doorway exists, the older "Party Mode" * button is the same action twice. * * Ghost-hidden, NOT display:none. The doorway works by relaying a click to * this button, and Framer's press handler does not fire on an element that * has no layout - verified directly: a click on the connected button under * display:none did nothing, the same click with the button merely clipped * opens the room. So it keeps its box and loses everything else: invisible, * unhittable, out of the reading order (gdp-view.js adds aria-hidden and * tabindex=-1, which CSS cannot). */ /* THE BUTTON, NEVER ITS CONTAINER. * * The first version of this rule ghosted [data-framer-name="Party Mode"] - * the container - and the Framer component mounts its fullscreen overlay * INLINE inside that container, not through a portal. Ancestor opacity * composites the whole subtree, position:fixed children included: the room * mounted, active() returned true, the exit button existed, every DOM check * passed - and not one pixel of the club was visible. The operator found it * the honest way, by pressing the button and seeing nothing. * * So the ghost styles land only on the trigger buttons themselves, tagged * data-gdp-ghost by gdp-view.js. The container stays untouched, because the * room lives in it. */ html[data-gdp-door="1"] [data-gdp-ghost], html[data-gdp-door="1"] button[data-gdp-doorway] { position: absolute !important; width: 1px !important; height: 1px !important; overflow: hidden !important; clip-path: inset(50%) !important; opacity: 0 !important; pointer-events: none !important; margin: 0 !important; padding: 0 !important; border: 0 !important; } /* The compact CTA slot is a RELAY now, not a control. The scene door is * the homepage's one entry at every width; six files still open the * floor by calling #gdp-party-cta.click(), which works on a * display:none element (a programmatic click needs no layout - the * layout rule that DOES need it is the ghosted FRAMER button above, * which the cta presses via real.click()). The booth toggle that once * shared this slot is gone with the booth view. */ #gdp-ctaslot { display: none !important; } /* The compact door lives on inside the hidden slot only as a click * relay; its old prominence styling and nudge animation went with the * slot's visibility. The scene door below carries the prominence now. */ /* The explanation. Appears above the door on hover or keyboard focus, after * a beat so it never flashes on a pass-over; wired to aria-describedby by * gdp-view.js so a screen reader gets the same sentence without the hover. */ .gdp-tip { position: absolute; bottom: calc(100% + 13px); left: 50%; transform: translateX(-50%) translateY(5px); width: max-content; max-width: min(280px, 84vw); padding: 11px 14px; border-radius: 11px; background: rgba(13, 13, 19, 0.97); border: 1px solid rgba(244, 241, 233, 0.16); box-shadow: 0 18px 44px -18px rgba(0, 0, 0, 0.9); font-family: Inter, -apple-system, BlinkMacSystemFont, sans-serif; font-size: 12.5px; font-weight: 500; line-height: 1.5; letter-spacing: 0.01em; text-transform: none; text-align: left; color: rgba(244, 241, 233, 0.88); white-space: normal; opacity: 0; pointer-events: none; z-index: 6; transition: opacity var(--gdp-fast) var(--gdp-ease) 0.22s, transform var(--gdp-fast) var(--gdp-ease) 0.22s; } .gdp-tip::after { content: ""; position: absolute; top: 100%; left: 50%; width: 9px; height: 9px; margin: -5px 0 0 -5px; transform: rotate(45deg); background: rgba(13, 13, 19, 0.97); border-right: 1px solid rgba(244, 241, 233, 0.16); border-bottom: 1px solid rgba(244, 241, 233, 0.16); } #gdp-party-cta:hover .gdp-tip, #gdp-party-cta:focus-visible .gdp-tip { opacity: 1; transform: translateX(-50%) translateY(0); } @media (prefers-reduced-motion: reduce) { .gdp-tip { transition-duration: 1ms; } } /* ------------------------------------------------------- the club door * * ONE door, the homepage's single primary interaction, at every width - * sitting on the page's own video backdrop. The party is visible * through it: the reel on the back wall, silhouettes in front, the * neon over the glass, light spilling under the door. The turntable * that used to share this row is ghosted (its audio component lives * on); the booth door and booth view are gone. * * The ghost: everything invisible, nothing unmounted. Same clip-path * recipe as the party-mode button above - the component keeps its * layout life so React hydration and the audio bus never notice. */ html[data-gdp-view="floor"] [data-framer-name="Booth Row"] > [data-gdp-keep] { position: absolute !important; width: 1px !important; height: 1px !important; overflow: hidden !important; clip-path: inset(50%) !important; opacity: 0 !important; pointer-events: none !important; margin: 0 !important; /* visibility, not just opacity: the deck's platter is a tabbable * role="slider" - without this, keyboard users tab through an * invisible turntable and screen readers announce a player that is * not there. visibility removes the subtree from the tab order and * the accessibility tree while React and the audio element live on. */ visibility: hidden !important; } html[data-gdp-view="floor"] .gdp-scene { display: flex; flex-direction: column; align-items: center; gap: 15px; position: relative; isolation: isolate; width: clamp(260px, 34vw, 430px); max-width: calc(100vw - 48px); padding: 0; border: 0; background: transparent; cursor: pointer; font-family: Inter, -apple-system, BlinkMacSystemFont, sans-serif; color: #f4f1e9; transition: transform var(--gdp-med) var(--gdp-ease); } /* No hover hop: the leaves answer the hover - a door swings, it does * not bounce. */ .gdp-scene:focus-visible { outline: 2px solid #38d4ff; outline-offset: 5px; border-radius: 18px; } /* The frame height literal appears TWICE - here and in the .spill top * calc below. Edit them in lockstep or the light detaches from the * door. * * ARCHITECTURE, not a card: a steel lintel carrying the lit sign, and * below it the doorway - the same double door the club's 3D walk-in * owns (dark lacquered steel leaves, gold hairlines, the brand-cycling * light seam between them). The leaves stand ajar at rest with the * party visible through the gap; hover leans them; the click swings * them wide as the club fades in behind. */ .gdp-scene .frame { position: relative; width: min(100%, 386px); height: clamp(320px, 36vw, 470px); display: flex; flex-direction: column; } #gdp-scene-floor .lintel { position: relative; flex: none; height: 64px; display: flex; align-items: center; justify-content: center; border-radius: 10px 10px 0 0; background: linear-gradient(180deg, #191921, #0d0d13); border: 1px solid rgba(244, 241, 233, 0.14); border-bottom: 1px solid rgba(217, 180, 92, 0.45); box-shadow: inset 0 1px 0 rgba(244, 241, 233, 0.07); } #gdp-scene-floor .doorway { position: relative; flex: 1 1 auto; min-height: 0; border-radius: 0 0 10px 10px; padding: 2px; background: linear-gradient( 165deg, rgba(56, 212, 255, 0.7), rgba(237, 47, 212, 0.55) ); /* The stage the leaves swing on. */ perspective: 950px; } .gdp-scene .peek { position: absolute; inset: 2px; border-radius: 0 0 8px 8px; overflow: hidden; background: #07070b; display: flex; align-items: center; justify-content: center; } /* The leaves. Hinged on the jambs, swung by rotateY - inner edges * recede into the room, so the ajar gap between them IS the view of * the party. Lacquered steel, two recessed panels, a gold push bar, * a porthole glowing with the light inside. */ #gdp-scene-floor .leaf { position: absolute; top: 2px; bottom: 2px; width: calc(50% - 2px); z-index: 2; background: linear-gradient(170deg, #191920 0%, #101016 55%, #0b0b10 100%); border: 1px solid rgba(244, 241, 233, 0.1); backface-visibility: hidden; transition: transform 480ms var(--gdp-ease); will-change: transform; } #gdp-scene-floor .leaf--l { left: 2px; width: calc(48% - 2px); border-radius: 0 0 0 8px; border-right: 1px solid rgba(217, 180, 92, 0.55); transform-origin: left center; /* Positive with a left origin = the free edge recedes INTO the * room (z = -x sin θ). Getting this sign wrong swings the doors * out at the visitor's face. */ transform: rotateY(22deg); } #gdp-scene-floor .leaf--r { right: 2px; width: calc(48% - 2px); border-radius: 0 0 8px 0; border-left: 1px solid rgba(217, 180, 92, 0.55); transform-origin: right center; transform: rotateY(-22deg); } /* Stile-and-rail panels: recessed by shadow, proud by hairline. */ #gdp-scene-floor .leaf .lp { position: absolute; left: 14%; right: 14%; border-radius: 3px; background: linear-gradient(175deg, #0d0d12, #121218); box-shadow: inset 0 2px 6px rgba(0, 0, 0, 0.7), 0 1px 0 rgba(244, 241, 233, 0.05); } #gdp-scene-floor .leaf .lp--a { top: 7%; height: 34%; } #gdp-scene-floor .leaf .lp--b { top: 58%; height: 34%; } #gdp-scene-floor .leaf .bar { position: absolute; top: 48.5%; left: 18%; right: 18%; height: 7px; border-radius: 4px; background: linear-gradient(180deg, #e3c47c, #8a6a30); box-shadow: 0 2px 5px rgba(0, 0, 0, 0.6); } #gdp-scene-floor .leaf .port { position: absolute; top: 16%; left: 50%; width: 34%; aspect-ratio: 1; margin-left: -17%; border-radius: 50%; border: 2px solid rgba(217, 180, 92, 0.55); background: radial-gradient( 60% 60% at 50% 42%, rgba(237, 47, 212, 0.5), rgba(56, 212, 255, 0.28) 60%, rgba(7, 7, 11, 0.9) 100% ) #0a0a10; box-shadow: inset 0 0 14px rgba(56, 212, 255, 0.35); } /* The light seam where the leaves meet - the exact signature the 3D * door carries, cycling the brand colours on the same slow clock. */ #gdp-scene-floor .seam { position: absolute; top: 2px; bottom: 2px; left: 50%; width: 3px; margin-left: -1.5px; z-index: 3; pointer-events: none; background: #38d4ff; filter: blur(2px); opacity: 0.85; animation: gdpSeamCycle 18s linear infinite; transition: opacity 480ms var(--gdp-ease); } @keyframes gdpSeamCycle { 0%, 100% { background-color: #38d4ff; box-shadow: 0 0 12px rgba(56, 212, 255, 0.9); } 33% { background-color: #ed2fd4; box-shadow: 0 0 12px rgba(237, 47, 212, 0.9); } 66% { background-color: #d9b45c; box-shadow: 0 0 12px rgba(217, 180, 92, 0.9); } } /* Hover leans the doors open; the click (gdp-club3d adds * .gdp-door-opening) swings them wide and the seam dissolves - open * doors have no seam. */ @media (hover: hover) { #gdp-scene-floor:hover .leaf--l, #gdp-scene-floor:focus-visible .leaf--l { transform: rotateY(42deg); } #gdp-scene-floor:hover .leaf--r, #gdp-scene-floor:focus-visible .leaf--r { transform: rotateY(-42deg); } } #gdp-scene-floor.gdp-door-opening .leaf--l { transform: rotateY(88deg) !important; } #gdp-scene-floor.gdp-door-opening .leaf--r { transform: rotateY(-88deg) !important; } #gdp-scene-floor.gdp-door-opening .seam { opacity: 0; } #gdp-scene-floor.gdp-door-opening .spill { opacity: 1; animation: none; } @media (prefers-reduced-motion: reduce) { #gdp-scene-floor .leaf { transition: none; } #gdp-scene-floor .seam { animation: none; } } /* Through the left door: the reel on the wall, silhouettes in front. The .wall's own glow is the no-video fallback on weak devices. */ #gdp-scene-floor .wall { position: absolute; inset: 0; background: radial-gradient( 85% 60% at 50% 26%, rgba(237, 47, 212, 0.32), rgba(56, 212, 255, 0.14) 55%, transparent 80% ) #07070b; } #gdp-scene-floor .wall video { width: 100%; height: 100%; object-fit: cover; /* No CSS filter on the video: a filtered